29th Tallinn Black Nights Film Festival (07.11-23.11.2025)
Words like violence break the silence, come crashing in into my little world..."" (Depeche Mode)
"
A coincidental encounter propels Aya, who is waiting for her husband at the airport, to pick up a complete stranger instead. The immediate sense of intimacy that sparks between the two ends abruptly when the man disappears, leaving Aya with a key to his hotel room and a yearning that perhaps only a complete stranger can fulfil.
In “Dead Language”, directors Mihal Brezis and Oded Binnun expand their Oscar-nominated short “Aya” into a tender, quietly powerful feature about longing – longing for connection, for purpose, for something beyond the confines of everyday life. Marina Gandour (Tribeca FF)
                        
                     
                    
                        29th Tallinn Black Nights Film Festival (07.11-23.11.2025)
Words like violence break the silence, come crashing in into my little world..."" (Depeche Mode) "
A coincidental encounter propels Aya, who is waiting for her husband at the airport, to pick up a complete stranger instead. The immediate sense of intimacy that sparks between the two ends abruptly when the man disappears, leaving Aya with a key to his hotel room and a yearning that perhaps only a complete stranger can fulfil.
In “Dead Language”, directors Mihal Brezis and Oded Binnun expand their Oscar-nominated short “Aya” into a tender, quietly powerful feature about longing – longing for connection, for purpose, for something beyond the confines of everyday life. Marina Gandour (Tribeca FF)
                Words like violence break the silence, come crashing in into my little world..."" (Depeche Mode) "
A coincidental encounter propels Aya, who is waiting for her husband at the airport, to pick up a complete stranger instead. The immediate sense of intimacy that sparks between the two ends abruptly when the man disappears, leaving Aya with a key to his hotel room and a yearning that perhaps only a complete stranger can fulfil.
In “Dead Language”, directors Mihal Brezis and Oded Binnun expand their Oscar-nominated short “Aya” into a tender, quietly powerful feature about longing – longing for connection, for purpose, for something beyond the confines of everyday life. Marina Gandour (Tribeca FF)
Info
Rating
(none)
Production year
2025
Global distributor
--
Local distributor
Pimedate Ööde Filmifestival MTÜ
In cinema
11/8/2025